Monday, June 29, 2009

Trade Secret

Oh, by the way, in case you don't know me on Facebook or follow me on Twitter -- in case you are still living in the era when things like blogs and phonographs and daguerrotypes are the cutting edge of communications technology -- there is this.

The article makes it sound like I'm riding high already; in fact, it is a bit premature. I can still barely pay my credit card balance, and not because I just bought a ranch and a pony with big fancy Hollywood fuck-you money. Things are still not quite so definite. But as much as I prefer to keep quiet about things until they are more certain, this is still my first mention in the trades, and it's no fun to let that go by without showing people, even if I have to qualify it heavily.

Thursday, June 11, 2009

Kenny's Wine Video

I made a video application for the wine job too. I hope I don't steal too many votes from Dave with this awesome application.

Wednesday, June 10, 2009

Dave's Wine Video

The estimable David J. Duman, co-writer and director/producer of Vlog Star and Kenny Bloggerly's Internet Life, and your favorite Bourne spoof ever, is applying for "A Really Goode Job." This is the cheesy name for Murphy-Goode Winery's new Lifestyle Correspondent. This person will be housed in Sonoma wine country and paid handsomely for six months for doing nothing more than getting shitfaced all fancy-like and building buzz for the winery Web 2.0 style. All of this is way more setup than you need to enjoy Dave's application video:

If you think Dave deserves this job more than some boring loser (and while there are many highly qualified applicants, there are a lot of boring losers vying for this thing), go to the Murphy-Goode page and favorite him! This job is perfect for him; seriously, this asshole loves talking about wine.

Monday, June 08, 2009

Terminator Salvation: Unacceptable

Slant's Terminator Salvation review neatly and concisely articulates the central plot hole that devastates the entirety of Terminator Salvation, the same one I would have written about had I blogged about it in a more timely fashion.

How is it that Skynet is actively targeting Connor in Salvation, fully aware of both his future centrality to events and his childhood escape from their robot assassins? The established timeline does not support this. Armed with this knowledge, why would Skynet even commence with their eventual plans to attack the Connors in a different time, knowing as they must that such plans will fail? Another question: Why am I putting more thought into this than the screenwriters did?

To add on to that point -- since the machines shouldn't even know that Connor is important, it is even more outrageous that they know that Reese is important. If Skynet knows Reese, Skynet knows everything, and the entire franchise is stupid and pointless. To accept Terminator Salvation on any level is to create a black hole of stupidity that disintegrates and swallows up the franchise in toto, and that simply cannot be tolerated.

Just as the T-800 in T2 tells John, "I know now why you cry," I can say that I know now why Steve continually denies the existence of T3. Personally I thought T3 had enough good moments to outweigh the bad -- sure, there's some timeline discrepancies with John's age and some dopey failed jokes, and the general feeling of a franchise being stretched too thin... but there is also the pleasure of revisiting something familiar, a few memorable action scenes, an interesting arc for John, an effective, if depressing, ending, and some successful comic moments as well. Overall, there is enough to recommend it as a watchable, if inferior and not-wholly-canonical entry in the series.

Terminator Salvation, however, should not be allowed in the door at all. There's just nothing that good in there; the action is flashy but utterly unmemorable and uninvolving, Sam Worthington and Anton Yelchin do their best to connect, but at no point does the story reward them or us or give anyone a reason to invest in the characters, and the ending is just plain retarded, as was the equally retarded ending it replaced. Certainly nothing here good enough to justify overlooking the staggering crimes of logic and story.

Political Cartooning


Making fun of political cartoons is as old hat as political cartoons. But still funny after all these years. Hat tip to Jaime Weinman's Twitter (Man, I hate the term "hat tip").

Tuesday, June 02, 2009

Vlog Star Bonus Featurette

If you're not yet, come be a fan of Vlog Star on our Facebook page! We might even post more cool behind-the-scenes bonus videos of us talking about ourselves, like this one:

The reason we say Vlog Star "started" as a web show is that I edited footage from season 1 and season 2 together into what is hopefully a semblance of a half-hour (22 minute) pilot which a cohesive storyline. This was always something we'd had in mind, although originally I thought one season would offer us enough material for a pilot. As it turned out, having the second season to draw on was much better. The pilot version basically focuses on the material that advances the overall story. A lot of our favorite stuff that appeared in standalone episodes didn't make it because they would feel out of place in a half-hour show if they just brought the plot to a standstill.

Anyway, I did all this in order to submit the show as an independent pilot to the NYTVF, the New York Television Festival. I spent all weekend shaving bits off the show to edit it down to 22 minutes (even with only the story-arc-episodes, it still added up to almost 40 minutes initially), and then burning it to DVD. They wanted 5 copies, one of which would contain a bonus feature discussing the making of the show. So that's what this is.

I called up Chase and Dave and we sat down on Dave's couch, talked about the show for about 40 minutes, and then I went and cut that down to one. In retrospect, we probably should have just thought about what we wanted to say and spent 20 seconds each saying it. But it was a good time and we got to act like big shots praising each other effusively. I ended up not using the worst of that because it was kind of nauseating. Still, there's a lot of footage left over so if I have time this may become an occasional series to fill the time until season 3.

Over the weekend, I thought I would never get the submission done. Twice I thought I was finished and then realized there were more brand names and logos that I had to censor out due to rights issues, and each time I had to go back into Final Cut for a few hours and then spend a few hours more exporting and burning.